![]() ![]() If your shot is of a well-known location, Google is likely to identify the subject, as it did here for my shot of the Bass Harbor Lighthouse in Maine. Reverse image search results page for one of my images of the Bas Harbor Light in Maine. ![]() A pop up menu will appear and you can select “Search Google for This Image.” I have an iPhone, but the process is similar for Android. If the photo is online, say on your website, tap and hold on the photo. On a mobile device, you can switch to desktop and follow the steps outlined above or tap and hold on an image to start a search. This may not always work with browsers other than Chrome. From the pop up menu, scroll down to Request Desktop Site and continue as above. Using the Chrome browser tap and hold on the three dots at the bottom right of your screen. You can upload the image you want to check or, if it exists on the net (such as on your website or blog), either type in the URL or right click on the image and select Search Google for Image. Upload an image or link to an online image. Once there, click on the camera icon in the search bar. I just go to either by typing in the URL or by clicking on “Images” on the top right of the Google homepage. The easiest way, for me at least, is to use Google Chrome on my computer. Click on Images near the top right to initiate a reverse image search. Doing a reverse image search can help you find out if anyone is using one your images without your permission. Recently there have even been several high-profile cases of popular entertainers using copyrighted photos without permission. Sometimes businesses and large organizations also seem cavalier about using artists’ work. They grew used to finding all sorts of free things on the internet and just assume they can use anything they come across. These days, sadly, a large number of people simply don’t understand what an artist’s copyright means. However, I have sold a lot of copies of some images, like the frog photo at the top of this article, so I do want to keep tabs on it. ![]() Image sales do not make up a significant part of my photography income. This article, and reverse image searches on Google, are aimed more at photographers who don’t expect to receive a lot of money from their images, but who have singular images that do generate regular sales. Some of these services will manage everything from the reverse image searches to notifying infringers to taking legal action to collecting damages to paying you a share of the damages they collect. These are geared more towards pros who generate a significant part of their income from stock and other image sales, who’ve registered their images with the copyright office, and whose livelihood is affected by unauthorized use of their photos. There are also several automated services that regularly scan the internet for unauthorized use of your images and a couple of apps that do reverse image searches. It’s a quick and easy way to see if someone is using one of your images without permission. ![]() Google’s reverse image search also returns an assortment of similar images for you to review. You choose a photo and use a search engine, like Google, to scour the internet looking for other instances where that photo appears. So, what do you do with all that extra time? You can spend it moping around the house and making yourself crazy or you can start doing the productive tasks you didn’t have time for previously: cleaning your gear, updating your website and doing some reverse image searches. No tours, no workshops, no flying to exotic locations on assignment. Outstanding Young Nature Photographer awardĪs I write this article, many photographers are confined to their homes or immediate neighborhoods and large parts of the world have shut down because of the COVID-19 crisis.Outstanding Photographer of the Year award.Lifetime Achievement in Nature Photography award.Palouse Harvest Regional Event (July 31-August 4, 2024).Waterfalls of the Finger Lakes Regional Event June 13-16, 2024.Starry Nights in Big Bend NP Regional Event June 6-9, 2024.Olympic National Park Regional Event (May 30- June 2, 2024).Pennsylvania Flower & Garden Regional Event April 16-19, 2024. ![]()
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More than 95 million square feet of New York office space currently unoccupied - the equivalent of 30 Empire State Buildings. But peek inside all this vertical real estate and there's a fundamental question. More office space than any city in the world. What is New York City without its skyline? Monuments to commerce, standing proudly shoulder-to-shoulder. ![]() We criss-crossed Manhattan, talking to players big and small, about a sector rocked to its foundations. It's enough to make you rethink the future of cities. Meanwhile interest rates have spiked to historic highs… and now the mortgage comes due: $1.5 trillion in commercial real estate loans expire in the next two years. As hybrid work hardens from trend to new normal, office occupancy rates have hit all-time lows. Two, money flowing freely in the form of loans to borrow, buy, and build. One, workers filling the buildings all week. For a century, the towers have been propped up by two pillars. economy can continue to stave off a recession? Avert your gaze from commercial real estate. Hybrid work leaves offices empty and building owners reeling | 60 Minutes 13:31 ![]() ![]() ![]() But over the course of “The Lord of the Rings” we discover that before he found the ring Gollum was a hobbit himself named Smeagol. In The Hobbit he seems like a vile and treacherous monster, his external filthiness indicative of the state of his character. Perhaps no character embodies these ideas more fully than Gollum, the violent, lizard-like creature Bilbo Baggins encounters living in the caves of the Misty Mountains and obsessing over his precious ring. For Tolkien, even Satan himself is capable of conversion.įor Tolkien even the very worst of monsters have within them the potential to turn back toward the good. But as mentioned in Episode 2 of “The Rings of Power,” when Morgoth actually gazed upon the Silmarils, he was so overwhelmed by their beauty that he had to turn away from them, lest his heart be changed permanently toward the good. The central part of The Silmarillion concerns three jewels known as the Silmarils, which shine with the most beautiful light in the universe and are widely coveted, including by Melkor (who the elves know as Morgoth). The Nazgul who fight at Sauron’s side, though they are some of the most frightening creatures in Middle-earth, were likewise originally nine human kings, at least some of whom were almost certainly good before they donned the rings that corrupted them.įor Tolkien even the very worst of monsters have within them the potential to turn back toward the good. Good people can go bad: Tolkien repeatedly shows even the noblest of creatures, like Gandalf or Frodo, falling prey to the same temptations to greed and power that drives monsters like Smaug or Melkor. Every creature exists on the same continuum between good and evil, and has the capacity to travel either way along it. Most importantly, it undermines any attempt to separate life on Middle-Earth into heroes and monsters. Grounding the idea of evil in corruption has major consequences for Tolkien’s way of thought. Good People and Bad Are Not Fundamentally Different Long after they have become a species of their own, they remain trapped and in pain: “Deep in their dark hearts,” Tolkien writes, “the Orcs loathed the Master whom they served in fear, the maker only of their misery.” In a sense, perhaps they are the most universally evil of all the forms of life in Middle-earth because they are the most universally abused and imprisoned. Yet in The Silmarillion, Tolkien reveals that orcs are among Middle-earth’s greatest victims, because their corruption is a result not of their choice, but of Melkor’s torment and abuse. Never in any of Tolkien’s books do we meet a single orc that is good, or who resists the commands of Sauron. Of all the races in The Hobbit and The Lord of the Rings trilogy the orcs are the one group who seem utterly evil. And Balrogs like the one that attacked Gandalf the Grey in The Two Towers are the Middle-earth equivalent of Lucifer’s fallen angels.įor Tolkien, every creature exists on the same continuum between good and evil, and has the capacity to travel either way along it. Trolls are believed to be a similarly warped version of Ents, the trees that walk and speak. So orcs were created from elves who had been kidnapped and tortured by the Lucifer-like Melkor. Evil is a corruption of something that was once good. And this has a major implication for his universe: No race of creature is inherently evil. In The Silmarillion, Tolkien’s ancient history of Middle-earth from which “The Rings of Power” draws, Tolkien explains that only Ilúvatar (Tolkien’s version of God) can create life. In our own modern-day world of would-be trolls and heroes, Tolkien’s work offers important lessons on the ways we treat others and ourselves. Tolkien’s vision of human existence, in which the difference between villains and champions is far less than we might expect. ![]() Obviously, this is Storytelling 101: You want to keep people guessing. Even the lead character Galadriel seems as likely as not to be an unwitting agent of evil. But otherwise it really is an open field. O.K., no one is asking whether it’s the adorable Harfoot. And six episodes in, the big question is, which character is actually the evil wizard Sauron? Is it the dark elf who the orcs called Father? The mysterious man with tremendous magical ability who crashed to earth seemingly from the stars? The tormented ironsmith who doesn’t want to go back to his kingdom and has unexpected dexterity as a fighter? The adorable Harfoot who is just trying to help everyone? Last month Amazon debuted its mega-super-massive television series “The Rings of Power,” a “Lord of the Rings” prequel (in the same way that ancient Egypt is a prequel to today-the events take place 5,000 years before The Hobbit). ![]() ![]() ![]() In 1789, William Higgins published views on what he called combinations of "ultimate" particles, which foreshadowed the concept of valency bonds. ![]() ![]() The quest for the underlying causes of valence led to the modern theories of chemical bonding, including the cubical atom (1902), Lewis structures (1916), valence bond theory (1927), molecular orbitals (1928), valence shell electron pair repulsion theory (1958), and all of the advanced methods of quantum chemistry. The concept of valence was developed in the second half of the 19th century and helped successfully explain the molecular structure of inorganic and organic compounds. William Higgins' combinations of ultimate particles (1789) The etymology of the words valence (plural valences) and valency (plural valencies) traces back to 1425, meaning "extract, preparation", from Latin valentia "strength, capacity", from the earlier valor "worth, value", and the chemical meaning referring to the "combining power of an element" is recorded from 1884, from German Valenz. ![]() This definition differs from the IUPAC definition as an element can be said to have more than one valence. Valence is defined by the IUPAC as: The maximum number of univalent atoms (originally hydrogen or chlorine atoms) that may combine with an atom of the element under consideration, or with a fragment, or for which an atom of this element can be substituted.Īn alternative modern description is: The number of hydrogen atoms that can combine with an element in a binary hydride or twice the number of oxygen atoms combining with an element in its oxide or oxides. The two tables below show examples of different compounds, their structural formulas, and the valences for each element of the compound. The structural formula of a compound represents the connectivity of the atoms, with lines drawn between two atoms to represent bonds. Phosphorus has a valence 3 in phosphine ( PH 3) and a valence of 5 in phosphorus pentachloride ( PCl 5), which shows that an element may exhibit more than one valence. Chlorine, as it has a valence of one, can be substituted for hydrogen in many compounds. In methane, carbon has a valence of 4 in ammonia, nitrogen has a valence of 3 in water, oxygen has a valence of 2 and in hydrogen chloride, chlorine has a valence of 1. The valence is the combining capacity of an atom of a given element, determined by the number of hydrogen atoms that it combines with. Valence is not to be confused with the related concepts of the coordination number, the oxidation state, or the number of valence electrons for a given atom. In most compounds, the valence of hydrogen is 1, of oxygen is 2, of nitrogen is 3, and of carbon is 4. Double bonds are considered to be two bonds, triple bonds to be three, quadruple bonds to be four, quintuple bonds to be five and sextuple bonds to be six. Valence is generally understood to be the number of chemical bonds that each atom of a given chemical element typically forms. In chemistry, the valence (US spelling) or valency (British spelling) of an atom is a measure of its combining capacity with other atoms when it forms chemical compounds or molecules. ![]() ![]() ![]() You can try out some software instruments, or VSTs, to put your own melodies into your creation. You could load another sample, or add variations of the one you already have. You’re done! Congratulations, you’ve made a beat! If you want to add to it, you have plenty of options. Click on “Fruity Delay” to experiment with this effect, or choose any of the others to try as well. A very common effect to add is a delay, which repeats the sound at a lower volume – like an echo. If you followed the instructions involving the “track” box in your plugins, you should see the audio from your drums in track 1, and your sample in track 2.Ĭlick either track, and then click “Slot 1.” This will pull up a huge menu of possible effects to add. To add effects to your sample or your drums, open the mixer by pressing F9. All that’s left is “mixing” – which is an art in and of itself, and I won’t cover too extensively. You don’t have to just fit the old song to your drums beat for beat! Step 8: Polish It Up!Īt this point, your beat should be sounding pretty good. If you can’t get something to sound right, try taking it out, or replaying a previous sequence instead. Note: This is the part where you can get creative the only rules come from your ears. Using this feature lets you be as precise as you want with your chops.Ĥ) Continue to do this until you have the whole loop sounding the way you like it. A useful tip is to click the magnet in the top left hand corner and select “none” this lets your move notes around freely instead of snapping them to beat markers. ![]() Click and drag each note around so that it fits the rhythm of your drums. These correspond with the places where you chopped your sample earlier.ģ) Press play. ![]() But don’t worry! This is why we chopped up the sample earlier.ġ) Close the playlist by pressing F5 again, and open the piano roll for Slicex in the pattern where we dumped the chops the same way you did for FPC.Ģ) You should see more MIDI notes, but this time you’ll notice that instead of having drum names on the left side of your screen, you have marker numbers. The sample likely doesn’t line up with your drums. Unless you are extremely lucky or planned extremely well, the likelihood is that when you press play at this point your beat will sound very, well, off. Pressing play will play your sequence of drums in the order you drew! Step 4: Load Sample Into Slicex The vertical lines correspond to when the note will be played. Place a note by clicking on a spot in the row corresponding to the drum you want. This will open a blank window that looks like the one in the picture below.ģ) Select the pencil tool in the top left corner (highlighted in yellow on the picture) and draw in the drums where you want them to be played!Ĥ) You can see the names of the drum sounds on the left-hand side of the window. When you add more instruments, it is good practice to have them all in different patterns, because this way you have more control.Ģ) Right click on the FPC channel and select Piano Roll. Preview, download, favorite, and get right back to making music. Cool, huh?ġ) Choose the pattern in which you will place your drums – pattern 1 is fine. Discover new presets, samples, and wavetables that are automatically added as you work. MIDI lets you type out a sequence of notes, and then plays them back for you exactly as written. ![]() There are plenty of free vocal samples out there that you can flex your creativity on.īut who has time to scour the internet for the best vocal samples, right?W e’ve done that for you so you can get back to making great music.Steps 3, 4, and 5 can realistically be done in any order – it depends on what you want to do with your sample! In this case, I chose to add a basic drum beat first, and then fit my sample around the drum loop.įPC uses MIDI, which stands for Musical Instrument Data Interface. Not gonna lie, this blog post is pretty epic - it gathers the 17 best free vocal packs on the internet today and organizes them by size, sample count, and what makes them unique.Īnd the best part? You don’t need to break the bank by buying tons of sample packs or hiring session singers. Which is exactly why this article now exists. Act as a placeholder for your next single (.simply produce your next song with a vocal sample or acapella, and then remove it when you shop around for an official vocalist).Act as inspiration, helping you get ideas going so you don't have to start from scratch (.which saves you time and effort).Act as a cheat code for your next song (.structuring and arranging your next song will be 10x easier with vocals).Well, yes - vocals provide something for listeners to latch on to, helping your music become more memorable, catchier, and commercially viable. Get hyped, because I just compiled 3,384+ free vocal samples for you. ![]() ![]() ![]() Today we offers you Adobe After Effects Free 2017 v14.0.1 Latest Version. After Effects a famosa ferramenta da Adobe que padro para quem quer entrar no ramo ou j trabalha profissionalmente com animaes. After starting up the system to go into the Crack folder and run the file. Download Adobe After Effects CC 2017 Free, Version 14.1.0, Software. 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And by the way if you can send me the hair I lost the past ten or so years from the stress caused by your poor product I'd appreciate it.32db54285b 1218e04cfb2e5a5221799810c2636d3abc7cde08 502.68 MiB (527097514 Bytes) 1) Unpack and install 2) Use the key generator to generate a valid serial 3) Enjoy this release! Don't Forget to buy the program. Now I haven't tried motion on an HD project (yet) but I have used it quite extensively and what used to take me hours in AE is done in minutes with Motion. (home built CPU) Intel P4 3.0 with single 2 GIGs of RAM I timed a HD :22 second long HD project I did between 3 different computers and here are the render times. ![]() The lousy response by Adobe in upgrading their programming and (NO) integration with Apple / PC 64 bit / duel processors (which have been out for how long?) and enormous RAM hog architecture is pitiful by the so called standard program for motion design. Even with it's numerous bugs and being version 1.0 I can save 80 hours on a one week project. ![]() Motion is heads above the headaches and painstaking snail development os AE. I personally am sick of it and now have switched to Motion. A one week project could (and has many times) consisted of 120+ hours to get a graphic and effects intense product to full completion. You might say wow what's this moron complaining about? Well in the world of After Effects a job that takes a week isn't a week in normal job hours. Time is money right? How many projects have you been under the gun (especially television production) and with the evolving level of production quality and creativity that goes into a project the process shouldn't be hampered by the slow redraw response (:10 to 1:00+ a frame (HD)) and lengthly render times especially on duel motherboards and 64 bit processors.įor instance, last month I completed a job in a week. I have used AE since version 1.0 and aside from the creative things hat can be accomplished it has been nothing but a headache. And if even diehard win xp users didn't worry about using Motion and Apple's Production Suite, so it couldn't be any clearer!! The time of Adobe's Video Collection and After Effects is over that's sure!!! We have switched just 50% of all workplaces with new G5s and Apple's Production Suite. One thing is clear, after worrying years about After Effects on the Mac (and the PC), the direction is so clear, goodbye PC and goodbye AAE and Adobe Video Collection. Release 0.75 beta would be a better description. It's time for Adobe to rethink their Video Collection. Need I say more?Īnd since Encore DVD 1.5 is a crashing piece of software it was easy to give up the Adobe Video Collection and switch completely to the Mac with Mac OS X 10.3 and PowerMac G5s.Īnd the PCs were double CPU machines with many Gigs of RAM, too and the fastest available graphic cards. When I was working on Adobe After Effects I had to work 12 - 16 peer day, because a job goes only out the customer when it's done. One week with AAE means I have to wait till the rendered file is exported and only now I can start the next job. One week with Motion means I get timely home after 6 - 8 hours. You have to wait till it's ready to kick out the next job. No automated workflow supported (on the Mac and PC as well). Well, the QuickTime engine isn't used to it's full extend. So much wasted time it's absolutely incredible. I wonder how I could have worked all the last years with AAE. ![]() ![]() ![]() The album featured a cover of Bob Dylan's " It's All Over Now, Baby Blue". In November 1967, the band released a second album, Easter Everywhere. On returning to Texas in early 1967, they released a second single, "Levitation", and continued to play live in Austin, Houston and other Texas cities. Tommy Hall's sleeve-notes for the album, which advocated chemical agents (such as LSD) as a gateway to a higher, 'non-Aristotelian' state of consciousness, has also contributed to the album's cult status.ĭuring their California tour, the band shared bills with Quicksilver Messenger Service, the Great Society (featuring Grace Slick), and Moby Grape. The International Artists record label in Houston, also home to contemporary Texas underground groups such as Red Krayola and Bubble Puppy, signed the Elevators to a record contract and released the album The Psychedelic Sounds of the 13th Floor Elevators in November 1966, which became popular among the burgeoning counterculture. Prompted by the success of the single, the Elevators toured the West Coast, made two nationally televised appearances for Dick Clark, and played several dates at the San Francisco ballrooms The Fillmore and The Avalon. In October 1966, it peaked on the national Billboard chart at the No. 55 position. During the Summer, the IA re-release of "You're Gonna Miss Me" became popular outside Texas, especially in Miami, Detroit, and the San Francisco Bay Area. They also played on live teen dance shows on TV, such as Sumpin Else, in Dallas, and The Larry Kane Show in Houston. Throughout the spring of 1966, the group toured extensively in Texas, playing clubs in Austin, Dallas, and Houston. Some months later, the International Artists label picked it up and re-released it. The songs were Erickson's " You're Gonna Miss Me", and Hall-Sutherland's "Tried to Hide". In early January 1966, producer Gordon Bynum brought the band to Houston to record two songs to release as a single on his newly formed Contact record label. ![]() 1966–1967: Psychedelic Sounds and Easter Everywhere In addition to an awareness that a number of tall buildings in the US lack a designated 13th floor, it was noted that the letter "M" (for marijuana) is the thirteenth letter of the alphabet. ![]() The band's name developed from a suggestion by drummer John Ike Walton to use the name "Elevators". Tommy Hall was instrumental in bringing the band members together, and joined the group as lyricist and electric jug player. The band formed when Roky Erickson left his group the Spades, and joined up with Stacy Sutherland, Benny Thurman, and John Ike Walton who had been playing Texas coastal towns as the Lingsmen. The 13th Floor Elevators emerged on the local Austin music scene in December 1965, where they were contemporary to bands such as the Wig and the Babycakes and later followed by Shiva's Headband and the Conqueroo. In 2009, International Artists released a ten CD box set entitled Sign of the 3-Eyed Men, which included the mono and new, alternative, stereo mixes of the original albums, together with two albums of previously unreleased material and a number of rare live recordings. ![]() In the 1980s and 1990s, the 13th Floor Elevators influenced bands such as Primal Scream, the Shamen, Lime Spiders, the Jesus and Mary Chain and Spacemen 3, all of whom covered their songs, and 14 Iced Bears who use an electric jug on their single "Beautiful Child", as well as The Black Angels in "Sunday Afternoon". Seminal punk rock band Television played the Elevator's song "Fire Engine" live in the mid-1970s. The 13th Floor Elevators debut single " You're Gonna Miss Me", a national Billboard No. 55 hit in 1966, was featured on the 1972 compilation Nuggets: Original Artyfacts from the First Psychedelic Era, 1965-1968. Their contemporary influence has been acknowledged by 1960s musicians such as Billy Gibbons of ZZ Top, Peter Albin of Big Brother and the Holding Company, and Chris Gerniottis of Zakary Thaks. The 2005 documentary You're Gonna Miss Me specifically credits Tommy Hall with coining the term "psychedelic rock". The Elevators were the first band to refer to their music as psychedelic rock, with the first-known use of the term appearing on their business card in January 1966. The band was together from 1965 to 1969, and during that period released four albums and seven singles for the International Artists record label. The 13th Floor Elevators was an American rock band from Austin, Texas, United States, formed by guitarist and vocalist Roky Erickson, electric jug player Tommy Hall, and guitarist Stacy Sutherland. Roky Erickson at 2007 Coachella Valley Music and Arts Festival ![]() ![]() ![]() In her off-time, Jenny loves to live large and spoil herself with good food and fancy nights out, so we decided to spoil her with the biggest dicks we could find. Not only did this Euro babe win the genetic lottery, with wide hips and a wickedly thick white-girl booty, but she has the insatiable sex drive that makes her a natural for appearing in world-class porn. 21naturals hd review yes porn pics Jenny Glam xxx pornstar yes porn pics Rump Pussy Xxstrip Tease sex gallery yes porn pics Hardcore Blowjob Pussy Living. Picture the girl next door, but a thousand times hotter, and you're close to capturing what's so special about Jenny Glam. Afrodity and Jenny Glam in awesome lesbian action. 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